This is a particularly special site I’d like to discuss with you today: The Fairview Cemetery, near Oliver, BC. Fairview was a gold mining town in the South Okanagan-Similkameen, born out of the gold rush in the area in the late 1880s. Legend has it that gold was first discovered by a one-armed man in the 1860s, but no Europeans arrived to exploit the areas for gold until the 1880s. It was located just west of the modern-day town of Oliver, and some older homes in Oliver are said to have been built out of wood salvaged from the would-be ghost town.
View from the Fairview townsite over the South Okanagan
It’s that time again friends, where we sit down to highlight yet another one of Canada’s Curious Canadian Cemeteries. Today, lets take a little look at the Brick Street Cemetery in London, Ontario, its history, ongoing protection, and its stone carvers.
I have only visited this site once myself, during London’s Door’s Open event several weeks ago. Doors Open is an event where historic sites and buildings around a city will open their doors free of charge to the public, and it’s a great way to go see museums and heritage sites in your community that you might not otherwise have a chance (or the funds) to visit! We visited several historic sites around town over the course of the weekend, but spent the most time at the Brick Street Cemetery.
Previously on this blog I have discussed what I like to call the “one common skull”. It is a death’s head design, a name given to a motif with a central winged skull, sometimes with crossed bones nearby, or an hourglass, or any other mortality symbol really, and was popular through the 17th and 18th centuries on gravestones throughout eastern North America. The use of mortality symbols in the colonial period draws inspiration from the medieval use of these same symbols to remind viewers of their mortality and was popular across many different groups, not because Puritans were particularly morbid.
This style of gravestone is particularly interesting to me because it is everywhere on the Atlantic coast, throughout the colonial period! While mortuary archaeologists and art historians can say that this style, characterized by the central winged skull with a V-shaped nose in the lunette, small finials with a circular design inside, and the same leafy and circular pattern down the borders around the central text, originated in Massachusetts, it seems like we still don’t know who the carver (or school of carvers) was who is responsible. I don’t have an answer for that yet, but I do want to take a closer look at the chronology of the style in MA compared to imported varieties in Atlantic Canada. Continue reading →
I’m excited to be able to share my public burial archaeology paper, “Public Engagement through Burial Landscapes: Cupids and Ferryland, Newfoundland” with all of you!
It was released today, along with many other articles on public burial archaeology in AP: The Online Journal in Public Archaeology’s Special Volume 3: Death in the Contemporary World: Perspectives from Public Archaeology.
My article discusses ‘lost’ burial grounds – burial grounds which are known to exist, but have yet to be identified – like the 17th-century burial ground at Ferryland, and how discussion with visitors on historic burial practices can often lead to a dialogue on modern burial practices.
If you are interested, I’ve put a link HERE, where you can download the entire volume or each paper individually. It’s an open-access journal too, which is amazing! (If you’re going to do a Public Archaeology journal, it really should be open-access or it’s negating its own point.) I’m so pleased to be able to share this research with you all. While you’re at it, check out the amazing papers by everyone else in the volume, it’s chalked full of deathy-arch goodness!
Citation:
Lacy, Robyn S. 2018. Public Engagement through Burial Landscapes: Cupids and Ferryland, Newfoundland. AP: Online Journal of Public Archaeology, Special Volume 3: Death in the Contemporary World: Perspectives from Public Archaeology. Pp. 55-78. Available online: http://revistas.jasarqueologia.es/index.php/APJournal/issue/view/14/showToc
Last week I had the utter pleasure of attending and presenting my research at Death Salon Boston, put on by the Order of the Good Death and hosted at Mount Auburn Cemetery. For anyone new to this blog / death and burial studies in general, Mount Auburn Cemetery is significant as the first landscaped rural garden cemetery in North America, opening in 1831 and is still an active cemetery today.
My talk, “An Inconvenient Corpse: Winter Dead in colonial Canada” discussed how individuals at early colonial settlements dealt with their dead during the winter. It’s just not something we think about that much! I’d like to summarize my talk in this post for everyone who didn’t get to attend the conference (it sold out so quickly), and just some all around thoughts about my experience at Death Salon Boston!
As I may or may not have explained on this blog already, I work in built heritage. That means that I deal with the archaeology of standing buildings. In North America it is often referred to as cultural heritage, and is a facet of historical archaeology that I am quite passionate about (and who doesn’t like getting to go into old houses all the time!).
Lately, I’ve been doing a bit of reading into the conscious curation of decaying built heritage. It’s a very interesting topic, and while it’s hard to get away from the mentality that all old buildings are worth saving / preserving / restoring, curation of decay doesn’t mean justification for letting something fall into disrepair that perhaps does need some restoration but rather the ability to see and to interpret the change of a space, its meaning, and its place in history as it becomes overgrown, crumbles, or falls.
Today on Curious Canadian Cemeteries we are going to take a look at the site that I got a chance to visit last weekend, the Toronto Necropolis!
Last weekend we went to Toronto for the long weekend to visit family, and I was surprised was a visit to the Necropolis. So without further adieu, lets take a look at an amazing, and high profile site! Get ready everyone, this site is amazing!
A little while ago, we went on a mini-holiday to Saratoga Springs, NY, for the Canada Day long weekend. I was very excited to do several things I’ve always wanted to do in Saratoga:
a) Visit some of the springs / drink out of them
b) See a burial ground (literally any, how did I miss doing this last time I was there?)
c) swim in the Victoria pool (this one was added a few weeks before the trip when I found out the pool existed. Totally worth the trip!)
Welcome to the Putnam Burying Ground, which we did not think to call ahead to and therefore couldn’t actually go inside!
View of the Putnam Burial Ground from the street, with the Putnam Family Plot to the left of centre (photo by author, 2018)
Hello burial team, it’s finally time for another addition of Curious Canadian Cemeteries! This week we are looking at the Rockwood Cemetery, in the settlement of Rockwood, Township of Guelph/Eramosa, Wellington County, Ontario. This is my first ‘close-to-me’ cemetery that I’ll be covering!
I’ve talked about Rockwood before on this blog, when I posted about John Harris, my great x4 grandfather, who helped found the current settlement of Rockwood, and Thomas Harris, my great x3 grandfather who constructed Harris Woolen Mill with his brother and brother-in-law. The Mill is still present today by the Eramosa River as a ruin that can be visited and explored! Those very same relatives were buried in the the Rockwood Cemetery.
The sign & chapel at the Rockwood Cemetery (photo by author, 2018)
If you’re following my research because you’re extra-interested in death and dying, there is a good chance that you already know about the Order of the Good Death. The Order is an organization founded by funeral director and death positive advocate Caitlin Doughty, and directed by curator Sarah Chavez. It advocates for education and discussion on death and dying, that speaking/working in/researching these subjects is not morbid, and that burials should be moving towards an environmentally conscious set of practices (among many other things!).
The Order hosts this annual, sort of a cross between a conference and a public event, with talks, tours, artists, ad all manner of people who work / study / have an interest in death, called the Death Salon. The last few years I’ve really wanted to attend the event, mostly out of curiosity of what was going on, but they have always been far away from where ever I was living at the time (ie. last year I was in YYT and the Death Salon was in Seattle!).
This year Death Salon is in Boston, MA! The event will be taking place from: September 28th – 30th, 2018, at Mount Auburn Cemetery.
I’m excited to be able to share my public burial archaeology paper, “Public Engagement through Burial Landscapes: Cupids and Ferryland, Newfoundland” with all of you!
Spade & the Grave 