Spade & the Grave

death and burial through an archaeological lens


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Significant Women of Brick Street Cemetery: Phoebe McNames, Silvany Tunks, & Hannah Caldwell

It’s a common theme throughout history, that women’s stories are swept under the rug, intentionally or not, to make way for the stories of history’s great men. Of course, with cis women, trans, queer, and otherwise non-gender-conforming individuals being present throughout history, the tales of ‘men’ are only a small fraction of the whole story.

Gravestones from the 19th century have a common formula when it comes to remembering women, and that is by labelling them as wife of… and often not providing any additional information about them. Often nothing much is recorded throughout history about them either, making it even more difficult to find anything else out other than who they married. Today I’d like to talk about three young women who are buried at Brick Street Cemetery, and were early settlers in the area in the mid-19th century: Phoebe McNames, Silvany Tunks, & Hannah Caldwell.

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Gravestone Conservation 2019: Week 2

Hello all, welcome back to another ‘updates from the field’ style post, where I’d like to discuss what we got up to at the cemetery this week! It was an extremely busy week, and we got quite a lot accomplished, and learned a load of new skills throughout it all that I am very excited to use throughout this program and hopefully throughout my career as a historical archaeologist.

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Little woodchuck friend coming to see why we were digging so many holes in their field! 

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The Geologic Composition & Weathering of Gravestones.

If you are new to the study of burial markers and don’t come from a geologic background or have prior knowledge in basic geology, grasping the differences in materials found in burial grounds might seem like a monumental (hah) task! In this post, we will be discussing the composition and problems/perks of different stone types that are found across North American historical burial grounds, as well as common erosion issues that can be seen across these stones.

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Woodland Cemetery, London. ON. (Photo by author 2019).

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Evolution of roman lettering in Newfoundland: A case study at Belvedere Roman Catholic Cemetery, St. John’s, Newfoundland

Today’s post is based on ongoing research that started as a prompt for a term paper in grad school. I’ve been conducting research on roman lettering development on upright gravestones for some time (there is a paper on the way, I swear. It’s bogged down in reviewer/edits land but it will be out there eventually!), and this research was based on my interest in the development of lettering styles on gravestones. More specifically, the development of lettering styles carved in a ‘remote’ area, that might not have access to lettering books or script trends as carvers in more urban centres in the British Isles were. Lets delve in, shall we?

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St. John’s Harbour (photo by author 2016)

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When is a grave no longer a grave?

This is a topic I’ve discussed with colleagues on several occasions, and most recently in a really engaging thread on twitter: When is a grave…no longer a grave? If ever, at what point might that happen? There isn’t one definitive answer to this question, and the understanding of a grave, its significance, and longevity are rooted in our backgrounds, cultures, and society.  I’ve finally found some time to sit down and write up the results of the discussion, and share some thoughts with you all.

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Public Engagement through Burial Landscapes: Cupids and Ferryland, Newfoundland

img_20181015_1539272683491709296464501.jpgI’m excited to be able to share my public burial archaeology paper, “Public Engagement through Burial Landscapes: Cupids and Ferryland, Newfoundland” with all of you!

It was released today, along with many other articles on public burial archaeology in AP: The Online Journal in Public Archaeology’s Special Volume 3: Death in the Contemporary World: Perspectives from Public Archaeology.

My article discusses ‘lost’ burial grounds – burial grounds which are known to exist, but have yet to be identified – like the 17th-century burial ground at Ferryland, and how discussion with visitors on historic burial practices can often lead to a dialogue on modern burial practices.

If you are interested, I’ve put a link HERE, where you can download the entire volume or each paper individually. It’s an open-access journal too, which is amazing! (If you’re going to do a Public Archaeology journal, it really should be open-access or it’s negating its own point.) I’m so pleased to be able to share this research with you all. While you’re at it, check out the amazing papers by everyone else in the volume, it’s chalked full of deathy-arch goodness!

 

Citation:
Lacy, Robyn S. 2018. Public Engagement through Burial Landscapes: Cupids and Ferryland, Newfoundland. AP: Online Journal of Public Archaeology, Special Volume 3: Death in the Contemporary World: Perspectives from Public Archaeology. Pp. 55-78. Available online: http://revistas.jasarqueologia.es/index.php/APJournal/issue/view/14/showToc 


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An Inconvenient Corpse: Winter Dead in colonial Canada / Death Salon Boston 2018

Last week I had the utter pleasure of attending and presenting my research at Death Salon Boston, put on by the Order of the Good Death and hosted at Mount Auburn Cemetery. For anyone new to this blog / death and burial studies in general, Mount Auburn Cemetery is significant as the first landscaped rural garden cemetery in North America, opening in 1831 and is still an active cemetery today.

My talk, “An Inconvenient Corpse: Winter Dead in colonial Canada” discussed how  individuals at early colonial settlements dealt with their dead during the winter. It’s just not something we think about that much! I’d like to summarize my talk in this post for everyone who didn’t get to attend the conference (it sold out so quickly), and just some all around thoughts about my experience at Death Salon Boston!
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