(This would be a great paper title, wouldn’t it? I call it for later!)
Welcome back, readers! It has been quite the hectic summer so far this year, between PhD research, passing my thesis proposal defence at the end of May, gravestone restoration fieldwork, and a quick trip with my dad across Canada in the family van. Just before I flew west though, my husband and I visited the historic Burgess Property in Whiteway, NL. The property was receiving a new heritage plaque in honour of its designated status as a heritage property within the province, and there was a great turnout!
The buildings were constructed between the 1860s and 1900, and the complex includes former sawmill, a stable and store, a root cellar, a fishing stage, and the family home. It was wonderful to finally be able to visit the site and take a look around the structures, but I was there for a very specific reason…apotropaic magic. I know this post isn’t about gravestones per-say, but if you have been a reader for a little while, you’ll know that I’m currently studying and writing a manuscript about the use of protective magic on graves, and these symbols are among the ones we see in both contexts!
This week we wrapped up my fieldwork surveying in New Perlican! This part of my project, which I’ve written about a few times already in earlier blog posts, involves using a total station theodolite to survey and record the location of gravestones at historic burial grounds in New Perlican in order to create maps of the sites for the local archives and to use in my dissertation research on the evolution of the burial spaces in a single community over 400 years. You can find those earlier posts here: PhD Fieldwork Part 1, PhD Fieldwork 2, and Burial Ground Mapping.
This last round of surveying (before all the total stations vanished to field schools and Labrador for the summer) took place at St. Augustine’s Cemetery 1, and yes, there is a second one of the same name! Due to the size and complexity (ie: trees) of the site, I decided to record only the field stones at this location. Often overlooked, field stones are locally sourced grave markers that typically don’t have inscriptions but show a lot of importance in burial marking traditions in a community.
Subtitle: “Doing a PhD during the pandemic is pretty weird sometimes“
Hello readers, happy 2022! It’s been quiet over here on Spade & the Grave as I took about a month off from looking at my laptop, after spending the entire fall working on my comprehensive exams. As I was tweeting or talking about my comps to various group chats and platforms, many people asked me what the process is, so I thought I’d write about that today!
In most universities in North America, our PhD programs involve taking courses and comprehensive exams of some form before being considered a ‘candidate’ and being able to move forward with our program, and are 4-years minimum. This differs significantly from programs in Europe and Australia (and probably other places, I’m not sure) where the typical PhD program is 3-years, with an additional 4th for writing sometimes.
If you’ve been a reader for more than a minute, you might already know that some of my PhD research is taking place in the outport community of New Perlican. Well, I’m currently working on my second comps paper, and that means it’s time to write another blog post to let some of that writing energy go somewhere, now that I’ve met my page goal for the day!
Today I wanted to share the maps that were made for my project by my colleague Bryn, who is a mapper extraordinary and taught myself and Ian how to use the total station theodolite (TST or total station) ((which is something I need to remember finally, rather than re-learning every time I need to use one)). The benefit of using the total station to record the gravestones is that not only are they geo-referenced within cm’s accuracy, but it allowed us to create accurate maps of the gravestones for the community to have on record in their archives.
“Creative” writing is a good break from comps writing, right? Right. This might not be creative writing, but it’s a good flow to get those typing juices flowing while still keeping my head in the game! What is the game, you might ask? It’s gravestones. It’s always gravestones.
Today I wanted to chat to you all today about the construction of historic gravestones below the ground, getting to my archaeological roots subsurface, and how historical gravestone construction methods differ from what we see today, aka too much or too little. Let’s dig in! (hah)
Back for another research blog instalment! The past few weeks have been pretty busy, with Black Cat projects, some comps reading, a camping trip and hiking in Gros Morne, getting my 2nd covid vaccine, and my parents coming out to visit. We still managed to sneak in a little community archaeology engagement though, which turned out to be sort of a conjuncture between the NLAS (Newfoundland and Labrador Archaeology Society) ((I’m the VP this year)) and my own research in New Perlican.
The town of New Perlican was holding their annual Heritage Day this past Saturday, and the NLAS went down with our museum in a box / ‘edukit’ to talk to anyone interested about archaeology in the province. I was also asked to give a short tour and talk about the Bloody Point burial site, which is part of my PhD research! Check HERE and HERE if you need to get caught up on the site! It was an amazing day, and I’m excited to share it with you all!
I survived my first week back in the field! This past week was the first week of my PhD fieldwork and I could not be more excited to share it with all of you! I find blogging about my fieldwork and research as a go a really good way to gather my thoughts about the process, as well as share all of that with you, dear readers, who may not be archaeologists or know what goes into archaeological research.
My fieldwork this week involved surveying some of the historical burial grounds in New Perlican. Part of what I’m interested in exploring in my PhD research is the development and changes to the burial landscape within a community. New Perlican has been the home of settlers for about 400 years, and I will be exploring how their burial spaces changed and evolved with the community through the years! Part of that work is recording and mapping the older burial grounds themselves, taking stock of the gravestones that are in each site, the styles, how the community used and related to the sites.
Most of that analysis is for later though, this week was the mapping itself! Buckle in folks, this could be a long one. (all photos in this post were taken by me)
Another summer, another field season! While I couldn’t really write much last summer in the field, because I was working in CRM in Ontario, this year I’m back in Newfoundland doing my own research. You know what that means…updates from the field, as far as the eye can see! I’m really looking forward to getting back to some research surveys rather than just digging test pits as fast as possible in the sun (as important as CRM is).
Today myself and my husband Ian joined my supervisor Dr. Shannon Lewis-Simpson in the outport community of New Perlican, in Trinity Bay. If you’ve been following my blog for a while, you might remember when I did work at one of the cemeteries in New Perlican in 2017 (you can find those posts HERE and HERE). Part of my dissertation research for PhD is looking at the development of the burial landscape in New Perlican, which has been settled by European settlers since the 17th century, and how those burial spaces changed in relation to the settlement and the churches through the centuries to today. Today’s trip, however, was just to visit the site of the Bloody Point cemetery…a site which we suspect could date to the 17th century!
Hello again readers, we are back today with another ‘Curious Canadian Cemeteries’! But first, an update:The last few weeks have been hectic; I’ve finished my PhD coursework already somehow, and after a little break, I have begun to work through readings in preparation for my comprehensive exams (also known as comps) this fall, which will involve writing two papers and then orally defending them. I’ve also been preparing for fieldwork and writing some reports for Black Cat which is very exciting, alongside preparing for my research fieldwork this summer as well. All of this involves extra hoops in these ‘uNpReCiDeNtEd TiMeS’ (anyone else sick of hearing that yet?), but projects are nearly set up and I am really looking forward to crawling out from behind my desk sometime soon!
With that, let’s get into today’s cemetery: the Juggler’s Cove Burial Site, Bay Roberts, NL!
This blog post was written byJasper Pritchard, for the Archaeology of Death undergraduate course in Fall 2020 at Memorial University of Newfoundland, taught by Dr. Meghan Burchell. They graciously allowed it to be posted on Spade & the Grave, thanks Jasper!
By all accounts, the town of Renews is a serene landscape. Like many spots on the Southern Shore, the quiet but powerful presence of the sea envelops this small community like a blanket, and reminders of Newfoundland history are wrapped up with the clotheslines and sheds that make up daily life. Just one hour from the city of St.John’s, it’s a must visit when I make a day trip up the shore. I remember vividly when my friend Kathleen and I came upon it in 2015. In exchange for using her photos for this assignment I must refer to her as “my amazing, wonderful friend Kathleen”. Kathleen had taken me out to Calvert to meet her grandparents and we made a few stops before and after. We were nearing Renews and looking for a spot to turn around when we spotted an orange sign that read “RENEWS GROTTO” with an arrow pointing to the left. I didn’t even know what a grotto was at that point but decided I should find out.
We spent some time puttering around trying to find it. No one seemed to be around. There was a white shed with “COME IN BYE” written in red paint across the door, another with an abandoned coke vending machine sitting outside it that looked at least 30 years old. Long dead remains of a moose, and a dog gnawing at the pelt somehow did not detract from the picturesque quality of the town, if anything it added something.