Hello readers, its been a minute! Since I last wrote a blog post, I have finished and passed my comprehensive exams, searched for and moved into a new apartment with my husband and our cats, and have spent the last 6 weeks working on my thesis proposal, writing my manuscript, and doing a bunch of other bits including a quick trip out to New Perlican for a little field visit.
Today, I wanted to talk about why cemeteries (and burial grounds, and graveyards) are worth visiting, in my opinion as a person who has always been fascinated with them as historic sites, and as an archaeologist who has focused the majority of my research career on death and burial as a part of human existence. I was inspired to write this post after attending a talk yesterday by my friend and colleague Lee Sulkowska, a PhD Candidate in history at Deakin University in Australia, whose research explores how cemeteries are a mirror of the society that created them through fascinating archival case studies. Her talk was in support of Ukraine (tickets were donated to humanitarian aid) through the Instytut Dobrej Śmierci, or the Institute of the Good Death in Poland. After the talk, author Loren Rhodes was telling us about her upcoming book, “Death’s Garden Revisited: Personal Relationships with Cemeteries” and it had me thinking about what stands out about burial spaces to me, both as a person and a researcher. This post is more of a personal essay than a research post, but I wanted to share it all the same.
Back for another research blog instalment! The past few weeks have been pretty busy, with Black Cat projects, some comps reading, a camping trip and hiking in Gros Morne, getting my 2nd covid vaccine, and my parents coming out to visit. We still managed to sneak in a little community archaeology engagement though, which turned out to be sort of a conjuncture between the NLAS (Newfoundland and Labrador Archaeology Society) ((I’m the VP this year)) and my own research in New Perlican.
The town of New Perlican was holding their annual Heritage Day this past Saturday, and the NLAS went down with our museum in a box / ‘edukit’ to talk to anyone interested about archaeology in the province. I was also asked to give a short tour and talk about the Bloody Point burial site, which is part of my PhD research! Check HERE and HERE if you need to get caught up on the site! It was an amazing day, and I’m excited to share it with you all!
Another summer, another field season! While I couldn’t really write much last summer in the field, because I was working in CRM in Ontario, this year I’m back in Newfoundland doing my own research. You know what that means…updates from the field, as far as the eye can see! I’m really looking forward to getting back to some research surveys rather than just digging test pits as fast as possible in the sun (as important as CRM is).
Today myself and my husband Ian joined my supervisor Dr. Shannon Lewis-Simpson in the outport community of New Perlican, in Trinity Bay. If you’ve been following my blog for a while, you might remember when I did work at one of the cemeteries in New Perlican in 2017 (you can find those posts HERE and HERE). Part of my dissertation research for PhD is looking at the development of the burial landscape in New Perlican, which has been settled by European settlers since the 17th century, and how those burial spaces changed in relation to the settlement and the churches through the centuries to today. Today’s trip, however, was just to visit the site of the Bloody Point cemetery…a site which we suspect could date to the 17th century!
Hello again readers, we are back today with another ‘Curious Canadian Cemeteries’! But first, an update:The last few weeks have been hectic; I’ve finished my PhD coursework already somehow, and after a little break, I have begun to work through readings in preparation for my comprehensive exams (also known as comps) this fall, which will involve writing two papers and then orally defending them. I’ve also been preparing for fieldwork and writing some reports for Black Cat which is very exciting, alongside preparing for my research fieldwork this summer as well. All of this involves extra hoops in these ‘uNpReCiDeNtEd TiMeS’ (anyone else sick of hearing that yet?), but projects are nearly set up and I am really looking forward to crawling out from behind my desk sometime soon!
With that, let’s get into today’s cemetery: the Juggler’s Cove Burial Site, Bay Roberts, NL!
This post was written by myself, Robyn Lacy, and my friend and colleague (and often collaborator) Elizabeth Cushing, of Cushing Design Group.
We have worked in cultural heritage together since 2017, and have spent a lot of time discussing the preservation and curated decay in heritage structures. I’ve written about curated decay before on my blog, but today we wanted to discuss decay within structures, and highlight the design and historical significance of this Georgian style home in Upper Canard, Nova Scotia. All photographs in this post were taken by Elizabeth Cushing, unless otherwise noted.
This magnificent Georgian country estate, complete with summer kitchen to the left of the main house, was constructed in 1790 and was the childhood home of Sir. Frederick Borden (no relation to Charles Borden, who developed the Borden System, which is used to define the location of all archaeological sites in Canada). Sir Frederick William Borden (1847-1917) was a physician, businessman, militia officer and politician who practiced medicine in Canning, while also investing in ships, utilities and real estate. He was an investor in the Cornwallis Railway Company Limited, the Canning Water and Electric Light, Heating and Power Company Limited and the Western Chronicle, and owned two 125 to 150 ton vessels.
In my last post, I mentioned the ‘London Marble and Granite Company Limited’, which was originally founded by J.R. Peel, a renowned artist and gravestone carver. Today I’d like to talk a little more about about Peel, his shop, and the idea of death within the built landscape and our cultural heritage.
If you haven’t heard of John Robert Peel before, let us review. An artist, Peel was born in England in 1830, and married Amelia Margaret Hall in 1849. The couple relocated to London, Ontario in 1852. Peel became an art teacher, highly involved in the growing city’s art scene, and eventually carved gravestones! John and Amelia had several children, including Paul Peel and Mildred Peel, both noted Canadian artists.
This past weekend was Doors Open London, which is a weekend where historic sites and buildings open their doors to the public, free of charge to allow everyone to see places that they might not otherwise have a chance to experience. It’s an awesome time to be a tourist in your own town, and quite a lot of cities participate in the ‘Doors Open’ concept, all throughout the year! See if your city does…and if not, maybe encourage them to??
I had the pleasure of volunteering on Saturday at two sites: Brick Street Cemetery and Woodland Cemetery, both of which you’ll have heard oodles about already if you’ve been following my blog. There were some pretty cool things going on, and it was an awesome opportunity to participate in some public outreach and public archaeology!
It’s a common theme throughout history, that women’s stories are swept under the rug, intentionally or not, to make way for the stories of history’s great men. Of course, with cis women, trans, queer, and otherwise non-gender-conforming individuals being present throughout history, the tales of ‘men’ are only a small fraction of the whole story.
Gravestones from the 19th century have a common formula when it comes to remembering women, and that is by labelling them as wife of… and often not providing any additional information about them. Often nothing much is recorded throughout history about them either, making it even more difficult to find anything else out other than who they married. Today I’d like to talk about three young women who are buried at Brick Street Cemetery, and were early settlers in the area in the mid-19th century: Phoebe McNames, Silvany Tunks, & Hannah Caldwell.
Hi all, can you believe it’s already nearly the middle of August? I can’t! It feels like just yesterday that I was starting my work at Woodland Cemetery. Tragically, that contract has ended, and I am working for another local historic cemetery for the next month or so, combing through their archival materials to create a book manuscript about the background of the site, their significant people and stories, and transcriptions of the gravestones themselves. Keep your eyes peeled, folks. It promises to be an interesting project!
My goodness, what a whirlwind these past 7 weeks have been! With only one week to go, I can’t believe I’m nearly finished with these weekly(ish) blog updates of my training and work as a gravestone conservator. Here we go people, I can fix gravestones and know more about stone than I did two months ago! Does anyone want me to talk about stones forever…because too late, I’m never going to stop!
It was an exciting and productive week at the cemetery, so lets dive in! It was only a four-day week because last Monday was Canada Day, so I’m pretty impressed with all the things we got done.
Meagan & Thomas, archivist/historians, preparing for the July 6 tours.