Spade & the Grave

death and burial through an archaeological lens


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Gravestone Conservation: Week 7

My goodness, what a whirlwind these past 7 weeks have been! With only one week to go, I can’t believe I’m nearly finished with these weekly(ish) blog updates of my training and work as a gravestone conservator. Here we go people, I can fix gravestones and know more about stone than I did two months ago! Does anyone want me to talk about stones forever…because too late, I’m never going to stop!

It was an exciting and productive week at the cemetery, so lets dive in! It was only a four-day week because last Monday was Canada Day, so I’m pretty impressed with all the things we got done.

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Meagan & Thomas, archivist/historians, preparing for the July 6 tours.

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Evolution of roman lettering in Newfoundland: A case study at Belvedere Roman Catholic Cemetery, St. John’s, Newfoundland

Today’s post is based on ongoing research that started as a prompt for a term paper in grad school. I’ve been conducting research on roman lettering development on upright gravestones for some time (there is a paper on the way, I swear. It’s bogged down in reviewer/edits land but it will be out there eventually!), and this research was based on my interest in the development of lettering styles on gravestones. More specifically, the development of lettering styles carved in a ‘remote’ area, that might not have access to lettering books or script trends as carvers in more urban centres in the British Isles were. Lets delve in, shall we?

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St. John’s Harbour (photo by author 2016)

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