In my last post, I mentioned the ‘London Marble and Granite Company Limited’, which was originally founded by J.R. Peel, a renowned artist and gravestone carver. Today I’d like to talk a little more about about Peel, his shop, and the idea of death within the built landscape and our cultural heritage.
If you haven’t heard of John Robert Peel before, let us review. An artist, Peel was born in England in 1830, and married Amelia Margaret Hall in 1849. The couple relocated to London, Ontario in 1852. Peel became an art teacher, highly involved in the growing city’s art scene, and eventually carved gravestones! John and Amelia had several children, including Paul Peel and Mildred Peel, both noted Canadian artists.
Hi all, can you believe it’s already nearly the middle of August? I can’t! It feels like just yesterday that I was starting my work at Woodland Cemetery. Tragically, that contract has ended, and I am working for another local historic cemetery for the next month or so, combing through their archival materials to create a book manuscript about the background of the site, their significant people and stories, and transcriptions of the gravestones themselves. Keep your eyes peeled, folks. It promises to be an interesting project!
My goodness, what a whirlwind these past 7 weeks have been! With only one week to go, I can’t believe I’m nearly finished with these weekly(ish) blog updates of my training and work as a gravestone conservator. Here we go people, I can fix gravestones and know more about stone than I did two months ago! Does anyone want me to talk about stones forever…because too late, I’m never going to stop!
It was an exciting and productive week at the cemetery, so lets dive in! It was only a four-day week because last Monday was Canada Day, so I’m pretty impressed with all the things we got done.
Meagan & Thomas, archivist/historians, preparing for the July 6 tours.
Today’s post is based on ongoing research that started as a prompt for a term paper in grad school. I’ve been conducting research on roman lettering development on upright gravestones for some time (there is a paper on the way, I swear. It’s bogged down in reviewer/edits land but it will be out there eventually!), and this research was based on my interest in the development of lettering styles on gravestones. More specifically, the development of lettering styles carved in a ‘remote’ area, that might not have access to lettering books or script trends as carvers in more urban centres in the British Isles were. Lets delve in, shall we?