Spade & the Grave

death and burial through an archaeological lens


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Why Cemeteries are Worth Visiting: An Essay

Hello readers, its been a minute! Since I last wrote a blog post, I have finished and passed my comprehensive exams, searched for and moved into a new apartment with my husband and our cats, and have spent the last 6 weeks working on my thesis proposal, writing my manuscript, and doing a bunch of other bits including a quick trip out to New Perlican for a little field visit.

Today, I wanted to talk about why cemeteries (and burial grounds, and graveyards) are worth visiting, in my opinion as a person who has always been fascinated with them as historic sites, and as an archaeologist who has focused the majority of my research career on death and burial as a part of human existence. I was inspired to write this post after attending a talk yesterday by my friend and colleague Lee Sulkowska, a PhD Candidate in history at Deakin University in Australia, whose research explores how cemeteries are a mirror of the society that created them through fascinating archival case studies. Her talk was in support of Ukraine (tickets were donated to humanitarian aid) through the Instytut Dobrej Śmierci, or the Institute of the Good Death in Poland. After the talk, author Loren Rhodes was telling us about her upcoming book, “Death’s Garden Revisited: Personal Relationships with Cemeteries” and it had me thinking about what stands out about burial spaces to me, both as a person and a researcher. This post is more of a personal essay than a research post, but I wanted to share it all the same.

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Death & Decay in Cultural Heritage Structures

Front Facade

This post was written by myself, Robyn Lacy, and my friend and colleague (and often collaborator) Elizabeth Cushing, of Cushing Design Group.

We have worked in cultural heritage together since 2017, and have spent a lot of time discussing the preservation and curated decay in heritage structures. I’ve written about curated decay before on my blog, but today we wanted to discuss decay within structures, and highlight the design and historical significance of this Georgian style home in Upper Canard, Nova Scotia. All photographs in this post were taken by Elizabeth Cushing, unless otherwise noted.

This magnificent Georgian country estate, complete with summer kitchen to the left of the main house, was constructed in 1790 and was the childhood home of Sir. Frederick Borden (no relation to Charles Borden, who developed the Borden System, which is used to define the location of all archaeological sites in Canada). Sir Frederick William Borden (1847-1917) was a physician, businessman, militia officer and politician who practiced medicine in Canning, while also investing in ships, utilities and real estate. He was an investor in the Cornwallis Railway Company Limited, the Canning Water and Electric Light, Heating and Power Company Limited and the Western Chronicle, and owned two 125 to 150 ton vessels. 

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