Hello friends, its been a minute! Since I last wrote a blog post, we’ve done some fieldwork, I’ve finished my dissertation edits and sent it off for review, and we went on a 3-week holiday with my parents around the Highlands and Islands of Scotland. More on that later, I have a whole slew of blog posts planned for the next few months! But first, a play review!
I was contacted recently about doing a review of the play ‘Plotters’, which is on right now at Edinburgh Fringe! ” The dark world of 19th-century grave-robbing has inspired Plotters, a fast-paced comedy that makes its world premiere at this summer’s Fringe Festival” was certainly an enticing byline describing the show, and I was excited to check it out! The team was kind enough to send me an early recording to view, since I was not able to stay in Scotland for Fringe.
Friends, we have an issue. Over the last several weeks, my website has been linked by several websites in Canada that are denying the atrocities committed at the residential schools across the countries. I will not link those sites here. They are trying to use my work to bolster their argument there are no ‘lost children’ from Indigenous families, that children were not mistreated, killed, and buried in secret.
These are facts we know from testimonies, records, and the results of countless archaeological investigations across Canada in recent years. You do not need to put a shovel in the ground to see the burials.
The post they are all citing is this one, “When is a grave no longer a grave?“, which I published on Feb 27, 2019. What I was discussing in the post was whether there was or could be a point that a grave is no longer considered to ‘be there’, which is absolutely up to the cultural groups to which the graves belong. Overall, folks I polled on twitter indicated that they believed that a grave is always a grave, regardless of if the state of decomposition. I agree. A burial is a burial in our (settler Canadian) culture, and even cenotaph sites where no body has ever been buried are revered with the same respect as burials. Do those Indigenous children not deserve the same care and respect?
If you found my work through one of these websites and agree with what they are saying, kindly do not come back.
Hi readers, it’s time for a quick update about my PhD and recent travels to British Columbia. As of right now, April 27th, 2024, my brain has turned to mush after completing all the dissertation edits from my two supervisors! I’m currently waiting for a few more comments back from my external supervisor, and once I do those my dissertation will be off to examination! If all goes well, I should be defending sometime this summer, hopefully sooner than later. I can’t believe how quickly my PhD program has flown by!
After completing the majority of the edits, I headed out to BC to visit my parents, Grandpa, and best friend Kelsey! A much needed visit to the Okanagan, and a huge different in weather and abundance of flowers from Newfoundland. Because I flew out early in the morning, it was daylight flying over the rockies, and I spent that last part of the flight with the flight map up so I could identify lakes in the Kootenays as we flew over.
Hello friends, thanks for joining me again! I haven’t had too much time to write fun blog posts recently, as I’ve been working super hard trying to get all the edits completed on my dissertation! I’ve got some fun travel coming up this year though, so I’m hoping to plan some posts around that! Today’s post isn’t about travel or fieldwork though…it’s another publication announcement!
Yesterday, I met with Boulder Books to go over and sign my book contract to write a guidebook to cemeteries and burial sites in eastern Newfoundland. I’m so excited! Boulder is an amazing local publisher here in Newfoundland and Labrador who publishes amazing local guides, memoirs, cookbooks (the Grounds, anyone??), history, and more, and I feel super lucky that they had heard of my work with cemeteries around the province and were interested in going into this project together.
Goats (and a sheep) of New Perlican, at St. Augustine Cemetery #1 (photo by author 2022). Continue reading →
Exciting news, friends! I’m pleased to announce the release of my second book, “Daisy Wheel, Hexfoil, Hexafoil, Rosette: Protective Marks in Gravestone Art“, with Berghahn Books! It’s now available for pre-order, with publication in September 2024!
Pre-orders are now available through Berghahn’s website, click the link HERE to check it out! Just like with novels if you follow any authors online, you’ll know that pre-ordering a book is really important if you want to support that author because it lets the publisher know that there are people out there excited for the release and gives them an idea of demand and of the book’s success. You can also support the book (and me) by requesting that your library order a copy!
The cover of my upcoming book, provided by my editor at Berghahn Book!
A huge thank you to my editor, Caryn Berg, for reading my abstract for the 2020 SHA conference talks and reaching out to me with this project idea. I have been so thrilled to turn what has really been a huge interest for many years into something more tangible, and to have the opportunity to explore it in depth. Protective marks, aka apotropaic marks, can be found throughout many parts of the world, from Rome to Egypt, and England to North America and Australia. They were likely used to provide protection, like a lucky charm might, and can be found everywhere from churches to homes, to gravestones. The purpose of this book was to explore their use in a mortuary context throughout history, with a survey of colonial gravestones in North America that constitutes the first study of its kind of these symbols. It has been noted in gravestone research for decades that hexfoils and whorls are present in gravestone art, with a nod towards their apotropaic history, especially in the UK, but no further work had been carried out, and I hope with this volume that I’ve added a little to that conversation!
It has been a while since we’ve gotten to update the Dead House Database (click here), but we have an exciting addition to make! My internet friend and journalist, Warren Schlote, messaged me recently with a drawing of an octagonal dead house posted to instagram by the ‘History Hound’ Richard MacLeod of Newmarket, Ontario. This drawing, done by his grandfather George W. Luesby Sr. (who ran a memorial making business), shows the dead house located in the Newmarket Cemetery, north of Toronto. In this post, we’ll discuss this site and the architect who designed the structure.
Happy New Year! It’s probably time for another blog post, right? I’ve spent the the last year working non-stop of my dissertation, writing and editing, and now the whole document has been compiled and is with my supervisors for another run through! Then I’ll have more tweaks to make before it goes off for committee review, and then sometime in the spring/summer I’ll be defending! In the meantime though, I’ve been writing a public-facing article on counter-magic use in Newfoundland (keep an eye on the NQ Magazine), being an editor for a book volume I’m collaborating with a colleague on, scrambling around planning a trip to Scotland with my parents, and peer-reviewing other peoples’ work. And sleeping til like 9 am everyday.
Before I finished compiling my behemoth of a dissertation, however, we flew to Arizona for the Christmas holiday to visit my husband’s parents and revel in the fact that there was not rain and snow blowing horizontally across the horizon for a week. It was very relaxing, we mostly read, played games, drove around the neighbourhood in a golf cart, and drank wine watching the sunset, but I did manage to sneak in a little history exploring while we were there as well!
The front of Henry Wickenburg’s last home, made from adobe (photo by author 2023).
At the end of October, I had the wonderful opportunity to travel to Mexico City with my husband, and our friends Katie and Mike, for the wedding of our dear friends, Mariana and Ramon. It was a magical experience, and none of us had ever been to Mexico before (except for the newly weds, who are in fact, from there). What a gorgeous place! We were there over Day of the Dead (Dia de Muertos), and were able to do some touristing on our trip thanks to the guidance of our local friends, and learned so much about Mexican culture and tradition surrounding Day of the Dead, as well as some archaeological sites! Lets dive in.
Reconstructed tzompantli at the Museo el Templo Mayor.
Hello friends, apparently it has been a little while since I did a blog post! It’s been quite a busy summer, so I’ll do my best to fill you in. Last post I talked about the presentation I gave in New Perlican at the end of May, about my fieldwork and that portion of my dissertation research to the community, and we had a lovely time! Since then it has been a whorl wind of activity! My brother and sibling-in-law visited, my husband’s parents came out to visit, my parents were here visiting, and between everyone in our families being in the house, we did a lot of fieldwork for Black Cat, and even managed to squeeze in a little camping trip to Terra Nova National Park with some of our friends, which was a lovely break! Also of course, there was a lot of writing happening in there too, which is mostly what I’d like to chat about today.
Lovely fall pumpkins at Lester’s Farmers Market (for ambience) (photo by author 2023).
Hi friends, we’re back! This past Saturday we went out to New Perlican so I could give a little presentation to the community on my research in their burial grounds! It’s important for public archaeology that you actually tell the community you worked in about your research, so I was very excited to show off the maps and conclusions about my fieldwork surveys from the past 2 summers. I put together a little presentation showing the maps of the sides as well as several gravestone examples from each site to show everyone, and was able to tell them that we are going to be back in September to attempt GPR survey around St. Mark’s Cemetery to try and location the first Anglican church that was built in New Perlican. Stay tuned for that!
The purpose of my fieldwork and studying of these burial spaces was to take a closer look at the development of the burial landscape within a singular community, and how it has grown and evolved over the years, reflecting the community’s relationship with these spaces and mortality as a whole. We’ll also see some larger trends in burial spaces organization that are reflections of what we see in the rest of North America in the late 18th and 19th centuries. I also wanted to map these sites for the community, so that they would have a better record of gravestone location and site boundaries for future research and development.
View of New Perlican from Bloody Point (photo by author 2023)
